Skip to main content

The Eye Of Horus correspond to the six senses

The EYE OF HORUS has a very specific meaning. The eye is represented as a figure with 6 parts. These 6 parts correspond to the six senses - Touch, Taste, Hearing, Thought, Sight, Smell. These are the 6 parts of the *eye*. The eye is the receptor of *input*. It has these six doors, to receive data.


The construction of the eye follows very precise laws. The senses are ordered according to their importance. And according to how much energy must be *eaten* by the *eye* for an individual to receive a particular sensation. All of the sensory data input is *food*.

In the Ancient Egyptian measurement system, the EYE OF HORUS represented a fractional quantification system to measure parts of a whole. [ Get a book on Egyptian stuff or scan the internet for Egyptian Math see for e.g. "Understanding Hieroglyphs" by H. Wilson, ISBN 0-8442-4604-2 ]

The entire eye measured 1 heqat. And each of the parts of the eye measured fractions of the heqat.

[ THE EYE OF HORUS ]


These are the parts of the EYE and their corresponding associated fraction values :-

The corresponding sense data are :-

1/64 heqat Touch



1/32 heqat Taste






1/16 heqat Hearing




1/8 heqat Thought




1/4 heqat Sight




1/2 heqat Smell


Also, in the Egyptian system there is the unit of the ro. And by definition 320 ro = 1 heqat. The symbol for the ro is the mouth, it represented one mouthful. Again associating these measures with food, or input data.

Now if we consider the ro as the smallest unit of input energy needed for the input to *register* as sense data. We note,320 = 5 x 64 and so in terms of ro we have 5 ro to register a Touch 10 ro to register a Taste 20 ro to register a Sound 40 ro to register a Thought 80 ro to register a Light 160 ro to register a Smell

To see how the drawings of the eye correspond to the various senses note:-




1. Touch 1/64 heqat or 5 ro

This part of the EYE represents planting a stick into the ground. Like planting a stalk that will take root. The Earth represents touch. Planting itself represents physical contact and touching.





2. Taste 1/32 heqat or 10 ro

This part of the EYE represents the sprouting of the wheat or grain from the planted stalk. It is the food we put into our mouth. And so represents taste. Taste is also = Touch + Shape. That is to say, the different tastes we experience come from touching different shapes. So, touch is more a fundamental sense that taste.


3. Hearing 1/16 heqat or 20 ro

This part of the EYE represents the EAR. The figure points towards the ear on the face. Also, it has the shape of a horn or musical instrument. When we Hear a sound or combination of sounds we find this to be pleasing or unplesant. The sound has a taste for us, causing a preference. Sound requires Touch + Taste and so is a combination of the lower senses.


4. Thought 1/8 heqat or 40 ro

This part of the EYE represents thought. We often use our eyebrows to express our thoughts. And this facial feature is closest to that part of the forehead we associate with thinking. We raise our eyebrows to express surprise, for example. Thought = Touch + Taste + Hearing. If you think :) about it. Thinking is a kind of surpressed sound. The language we think in is like the *touch* of muscle prior to giving voice. And of course, we have a *taste* for different types of thoughts.


5. Sight 1/4 heqat or 80 ro

This is the pupil of the EYE. And so no more needs to be said. It represents seeing, or the sensation of light.



6. Smell 1/2 heqat or 160 ro

This part of the EYE points to the nose. It even looks like a nose. It represents the sensation of smell.

There is a lot more to this analysis, but that's the basics.

Egyptian Museum day tour 50 $

Labels:
Location: Egypt

Comments

Post a Comment

Popular posts from this blog

The bindweeds of Egypt and their symbolic role for the deceased

http://www.egyptraveluxe.com/cairo_half_day_tour_to_cairo_egyptian_museum.php From the Middle Kingdom until the 18th Dynasty, representations are found of a parasitic bindweed associated with the stems of papyrus, . Its representations increase and refine themselves during the Amarnian period because of the naturalistic leaning to nature; but it is in Ramesside times, and more particularly that of Ramesses II, that the images become more beautiful and most detailed. The plant is frequently attached to the stem of the papyrus, or to bouquets, but being also able to, more rarely, exist separately. After the 20th Dynasty, if the theme persists, the quality of the representations decrease (as do all more representations of nature). This success under the Ramesseses is probably linked with the specific beliefs of that time, and notably the eminent place that the solar cults occupy. The nature of the plant has been under debate a long time ...
Post a Comment
Read more

US authorities return eight stolen ancient Egyptian artifacts

US authorities agreed to return eight ancient Egyptian artifacts stolen and illegally smuggled out of the country. Today, upon his arrival from the United States, Minister of Antiquities Mohamed Ibrahim announced that US authorities agreed to return eight ancient Egyptian artefacts stolen and illegally smuggled out of the country. The objects are to arrive next month. The pieces include the upper part of a painted anthropoid wooden sarcophagus from the Third Intermediate period depicting a face of a woman wea ring a wig decorated with coloured flowers. Two linen mummy wrappings covered with plaster and bearing paintings showing winged amulets pushing the sun disc are also among the artefacts. Hieroglyphic text showing the name and titles of the deceased are also found on the plaster cover. The third piece is a cartonage painted mummy mask from the Third Intermediate period while the fourth and fifth items are Middle Kingdom wooden boats. The other three items are lim...
Post a Comment
Read more

what exactly happened to the Sphinx's nose?

The Sphinx's Nose The nose of the Great Sphinx at Giza is made conspicuous by its absence. What happened to it? The popular story is that the troops of Napoleon Bonaparte used the nose for target practice in 1798. Drawings done for La Description de L'Egypte depict a noseless Sphinx. The Sphinx, 1743. In 1737, British traveler Richard Pococke visited Egypt and made a sketch of the Sphinx that was published six years later. The nose is shown intact, but Pococke likely exercised his poetic license by adding it when it was not there (earlier, in 1579, Johannes Helferich had further taken an artist's liberties by depicting the Sphinx with a nose -- and with decidedly female features). Frederick Lewis Norden, an artist and marine architect, also sketched the Sphinx in 1737. His detailed drawings, published in 1755, were more realistic and showed the Sphinx with no nose. It is very unlikely that Norden would omit the nose if it was present. We can conclude that the...
Post a Comment
Read more