This is the so called magic image of Amun. Here, the pharaoh is referred to as per-aa in the two cartouches, and he is making libation in the presence of a very strange image. The representation has the head of Amun, wearing a crown topped by a solar disk surmounted by two large feathers, which emerge from a goatskin bottle embraced by the extended wings of Ma'at. In turn, this depiction surmounts a pedestal crowned by a uraeus, in front of which is a lion whose chest comes up to the level of the shafts. It would seem that this "magic image of Amun" was perhaps paraded during processions. This scene then sits upon a table fronting a series of lotuses, each of which is giving birth to a new lotus framed by two buds.

Pabasa, who was also called Pabes, has a large tomb at Asasif, just outside the entrance to Hatshepsut’s temple at Deir el-Bahri. Like Ankh-hor, who held this important title after him, he was the ‘Chief Steward of the God’s Wife Nitocris’ (Neitiqert) during the reign of Saite king Psamtek I. Pabasa’s tomb still has a large mudbrick superstructure. A steep flight of stairs leads down to the entrance of the subterranean levels and on the lintel above the doorway is a fine relief of a barque, adored by the souls of Pe and Nekhen, by the God’s Wife, Nitocris and by the deceased. A small vestibule leads to a larger pillared sun court. The vestibule shows scenes of Pabasa’s funeral procession, including mourners and the ‘Abydos Pilgrimage’. There is a long text of Pabasa and depictions of his son, Thahorpakhepesh, who acted as sem-priest at his father’s funeral. On the inner lintel of the entrance to the court, a relief shows Osiris and Re-Horakhty, in the cent...
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