Skip to main content

Kagemni -Tomb in Sakkara

Kagemni was, according to his confused with the 6th dynasty vizier of the same name, who served under Teti I and whose mastaba at Saqqara is famous for its reliefs.Instructions, vizier of the 4th dynasty pharaoh Senofru (2613-2589), father of Khufu. His writings are contained in the Papyrus Prisse. He should not be


Kagemni was buried in the largest mastaba in the Teti cemetery in Saqqara. The tomb is a large 32 m. x 32 m. square.
The mastaba was constructed of large blocks of limestone. Part of the mastaba consists of a chapel with six rooms, a pillared hall, five magazines, two chambers containing boats, a serdab and a staircase which gives access to the roof. The chapel walls are decorated and so are the walls of the burial chamber, which was located at the bottom of a shaft. The burial chamber contained an inscribed stone sarcophagus with a wooden coffin inside it.
The tomb consists of a hall right after the entrance, followed by a pillared hall and then a suite of rooms to the north of the pillared hall. The entrance hall contains scenes of daily life, including a scene with dancers. The pillared hall shows scenes of Vizier Kagemni on a boat which is accompanied by a small papyrus skiff carrying three men. There are scenes of fishing and scenes of the wildlife including crocodiles, dragonflies and frogs. Other scenes in the pillared hall show cattle, including a man carrying a calf and a cow being milked.
The rooms off the pillared hall show Kagemni in a carrying chair with attendants. This scene includes several of his titles. Other scenes in this room show birds including a scene where geese are being force fed. Another scene shows hyenas being force fed, in a manner very similar to that in the tomb of Mereruka .




Book a tour to this tomb in Sakkara with a private guide

info@egyptraveluxe.com

Comments

Popular posts from this blog

The bindweeds of Egypt and their symbolic role for the deceased

http://www.egyptraveluxe.com/cairo_half_day_tour_to_cairo_egyptian_museum.php From the Middle Kingdom until the 18th Dynasty, representations are found of a parasitic bindweed associated with the stems of papyrus, . Its representations increase and refine themselves during the Amarnian period because of the naturalistic leaning to nature; but it is in Ramesside times, and more particularly that of Ramesses II, that the images become more beautiful and most detailed. The plant is frequently attached to the stem of the papyrus, or to bouquets, but being also able to, more rarely, exist separately. After the 20th Dynasty, if the theme persists, the quality of the representations decrease (as do all more representations of nature). This success under the Ramesseses is probably linked with the specific beliefs of that time, and notably the eminent place that the solar cults occupy. The nature of the plant has been under debate a long time ...

US authorities return eight stolen ancient Egyptian artifacts

US authorities agreed to return eight ancient Egyptian artifacts stolen and illegally smuggled out of the country. Today, upon his arrival from the United States, Minister of Antiquities Mohamed Ibrahim announced that US authorities agreed to return eight ancient Egyptian artefacts stolen and illegally smuggled out of the country. The objects are to arrive next month. The pieces include the upper part of a painted anthropoid wooden sarcophagus from the Third Intermediate period depicting a face of a woman wea ring a wig decorated with coloured flowers. Two linen mummy wrappings covered with plaster and bearing paintings showing winged amulets pushing the sun disc are also among the artefacts. Hieroglyphic text showing the name and titles of the deceased are also found on the plaster cover. The third piece is a cartonage painted mummy mask from the Third Intermediate period while the fourth and fifth items are Middle Kingdom wooden boats. The other three items are lim...

what exactly happened to the Sphinx's nose?

The Sphinx's Nose The nose of the Great Sphinx at Giza is made conspicuous by its absence. What happened to it? The popular story is that the troops of Napoleon Bonaparte used the nose for target practice in 1798. Drawings done for La Description de L'Egypte depict a noseless Sphinx. The Sphinx, 1743. In 1737, British traveler Richard Pococke visited Egypt and made a sketch of the Sphinx that was published six years later. The nose is shown intact, but Pococke likely exercised his poetic license by adding it when it was not there (earlier, in 1579, Johannes Helferich had further taken an artist's liberties by depicting the Sphinx with a nose -- and with decidedly female features). Frederick Lewis Norden, an artist and marine architect, also sketched the Sphinx in 1737. His detailed drawings, published in 1755, were more realistic and showed the Sphinx with no nose. It is very unlikely that Norden would omit the nose if it was present. We can conclude that the...