Skip to main content

Abu Simbel Temples "Amelia B. Edwards" Diary Book


Is there anything a good coffee can’t fix?

When author, Amelia B. Edwards, visited Abu Simbel in 1874, she was appalled to see white patches marring the face of the northernmost colossus of Ramses II.

They were lumps of plaster, left behind when, 40 years earlier, a Scotsman named Robert Hay took a cast of the face for the British Museum.

Edwards had her workers clean off the plaster. However the newly-exposed sandstone was now a different tone from the rest of the statue, and some of the pourous sandstone had also become stained by the plaster.

The solution? Coffee!
They painted the face with a strong brew of coffee, brought up from the dahabieh. The cook was appalled, however; he had never “been called upon to provide for a guest whose mouth measured three feet and a half in width.”

Today you can still see flecks of white (not caused by birds) on the statue. 

Comments

Popular posts from this blog

Tomb of Pabasa (TT279)

Pabasa, who was also called Pabes, has a large tomb at Asasif, just outside the entrance to Hatshepsut’s temple at Deir el-Bahri. Like Ankh-hor, who held this important title after him, he was the ‘Chief Steward of the God’s Wife Nitocris’ (Neitiqert) during the reign of Saite king Psamtek I.  Pabasa’s tomb still has a large mudbrick superstructure. A steep flight of stairs leads down to the entrance of the subterranean levels and on the lintel above the doorway is a fine relief of a barque, adored by the souls of Pe and Nekhen, by the God’s Wife, Nitocris and by the deceased.  A small vestibule leads to a larger pillared sun court. The vestibule shows scenes of Pabasa’s funeral procession, including mourners and the ‘Abydos Pilgrimage’. There is a long text of Pabasa and depictions of his son, Thahorpakhepesh, who acted as sem-priest at his father’s funeral.  On the inner lintel of the entrance to the court, a relief shows Osiris and Re-Horakhty, in the cent...

Visite au quartier des potiers à Fustat

Visite au quartier des potiers à Fustat Eau, terre et feu, font la passion du potier Les poteries sont toujours là pour parler au cœur de l'homme, lui renvoyer le geste éternel de la main qui modèle, façonne, pétrit et décore. La tradition du travail de la terre se perpétue, en Egypte, grâce à des maîtres potiers ou des céramistes, qui reprennent souvent les techniques ancestrales. Le quartier des potiers au Caire, tout près de Salah Salem (quartier de Fustat), est un centre important de production d'objets en terre cuite et en argile. Découvrez au fil d'une rapide visite des lieux, ces nombreux artisans, leurs ateliers primitifs et les salles d'exposition de leurs produits, qui ne sont que les trottoirs mi-pavés, mi-détruits. Ils créent de nouveaux pots culinaires, des objets décoratifs d'une grande variété, d'inspiration classique et résolument moderne, du même coup. Plus qu'aucune activité de l'homme, la poterie est conservatrice de la mém...

US authorities return eight stolen ancient Egyptian artifacts

US authorities agreed to return eight ancient Egyptian artifacts stolen and illegally smuggled out of the country. Today, upon his arrival from the United States, Minister of Antiquities Mohamed Ibrahim announced that US authorities agreed to return eight ancient Egyptian artefacts stolen and illegally smuggled out of the country. The objects are to arrive next month. The pieces include the upper part of a painted anthropoid wooden sarcophagus from the Third Intermediate period depicting a face of a woman wea ring a wig decorated with coloured flowers. Two linen mummy wrappings covered with plaster and bearing paintings showing winged amulets pushing the sun disc are also among the artefacts. Hieroglyphic text showing the name and titles of the deceased are also found on the plaster cover. The third piece is a cartonage painted mummy mask from the Third Intermediate period while the fourth and fifth items are Middle Kingdom wooden boats. The other three items are lim...