Skip to main content

Wadi el Gharbi and Tomb of Herihor

Wadi el Gharbi; a large valley to the south of Wadi el Sikkat and the unfinished tomb of Hatshepsut. In addition to a number of well trodden ancient pathways, connecting this part with surrounding valleys in the Theban Mountains, Wadi el Gharbi contains several textual and pictorial graffiti, ancient excavations with debris heaps, pottery shards, smaller structures of stacked stone, and areas of limestone and flint chippings; all of which indicate some form of ancient activity (tombs, stations, smaller settlement, etc.). Red bricks combined with pottery fragments suggest a continuation of activity also into the Graeco-Roman and early Coptic periods. In spite of local tomb robbers’ insistent attempts, however, no tomb has been found to this day. This fact combined with the valley’s remoteness and rather difficult terrain still leave archaeologists without any firm evidence of why the ancients came here.





















 This specific area "Wadi el Gharbi " is of great interest for several reasons as it displays not only royal cartouches and associated pictorial graffiti, but also etched figures expressing worship, and later, more abstract geometrical patterns indicating a continuation of ancient presence in this particular place. 
 Two examples of cartouches providing the name Amenhotep II are found close together .

Contextual carvings show several ducks, a detailed uraeus, a full anthropomorphic figure, and a depiction of a head decorated with the blue crown; the latter suggesting a royal figure in either a cultic or a military position. 
 the royal head with the blue crown may well be connected with another important character, although belonging to a later period. This natural amphitheater was given its archaeological name – "Hérihor" High priest of Amun (1080-1074 BCE).Five hieroglyphic graffiti of Hérihor have been recorded previously, to which we can add another two in a nearby location within the same valley. 

 Hérihor’s background

 Little is known about Hérihor’s background, although he is believed to be of Libyan descent, and before becoming a High priest of Amun, he served Ramses XI as a military officer. Also being as a priest in the Temple of Khonsu at Karnak, Hérihor eventually rose to the position of High priest and assumed the full royal titles towards the end of Ramses XI’s reign, leading to a temporary division of the Two Lands with one ruler in Thebes and another in Tanis. From an archaeologist’s point of view, one of the more interesting facts about Hérihor is that his tomb, interesting facts about Hérihor is that his tomb, together with that of his associate Piankh, has never been found, leading some scholars to believe that a joint tomb is to be found within the valley that holds Hérihor’s name.
 Several additional textual graffiti are connected with the theories of an undiscovered royal tomb in Wadi el Gharbi. For example, there are records of a previously unknown deputy of the Crew, Montuseankh, a workman named Pinudjem, but more importantly, one inscription dates to year 21 of Smendes, theorized to have visited the valley to inspect the tomb of Hérihor and Piank .

 Containing a royal tomb

 Several additional textual graffiti are connected with the theories of an undiscovered royal tomb in Wadi el Gharbi. For example, there are records of a previously unknown deputy of the Crew, Montuseankh, a workman named Pinudjem, but more importantly, one inscription dates to year 21 of Smendes, theorized to have visited the valley to inspect the tomb of Hérihor and Piank
 this valley shows various additional examples of the hieroglyphic sign, which was interpreted by not only H. Carter, but by also some his followers still today as a tomb marker. Most recently, A. Peden emphasises the location of these signs as marking the area of the tomb of Hérihor and Piankh. As said before, however, we consider this sign to represent an offering table, and many of these signs in this valley are placed in a later pictorial context including several pentagrams (all with corresponding carving/etching technique of a rather simple nature). Therefore, we consider these signs to indicate a continuation of ancient presence in the valley rather than connecting them with any royal burial. 
 Containing a royal tomb or not, the importance of the valley cannot be questioned as it documents also the names of the scribes Buteamun, Ankhefenamun and Nebhepe, along with the royal workmen Amun (neb) nesttawynakhte, Nespautytawi, Penhiribtahutnakhte and Dikhonsiry.
 

Comments

Popular posts from this blog

Tomb of Pabasa (TT279)

Pabasa, who was also called Pabes, has a large tomb at Asasif, just outside the entrance to Hatshepsut’s temple at Deir el-Bahri. Like Ankh-hor, who held this important title after him, he was the ‘Chief Steward of the God’s Wife Nitocris’ (Neitiqert) during the reign of Saite king Psamtek I.  Pabasa’s tomb still has a large mudbrick superstructure. A steep flight of stairs leads down to the entrance of the subterranean levels and on the lintel above the doorway is a fine relief of a barque, adored by the souls of Pe and Nekhen, by the God’s Wife, Nitocris and by the deceased.  A small vestibule leads to a larger pillared sun court. The vestibule shows scenes of Pabasa’s funeral procession, including mourners and the ‘Abydos Pilgrimage’. There is a long text of Pabasa and depictions of his son, Thahorpakhepesh, who acted as sem-priest at his father’s funeral.  On the inner lintel of the entrance to the court, a relief shows Osiris and Re-Horakhty, in the cent...

US authorities return eight stolen ancient Egyptian artifacts

US authorities agreed to return eight ancient Egyptian artifacts stolen and illegally smuggled out of the country. Today, upon his arrival from the United States, Minister of Antiquities Mohamed Ibrahim announced that US authorities agreed to return eight ancient Egyptian artefacts stolen and illegally smuggled out of the country. The objects are to arrive next month. The pieces include the upper part of a painted anthropoid wooden sarcophagus from the Third Intermediate period depicting a face of a woman wea ring a wig decorated with coloured flowers. Two linen mummy wrappings covered with plaster and bearing paintings showing winged amulets pushing the sun disc are also among the artefacts. Hieroglyphic text showing the name and titles of the deceased are also found on the plaster cover. The third piece is a cartonage painted mummy mask from the Third Intermediate period while the fourth and fifth items are Middle Kingdom wooden boats. The other three items are lim...

what exactly happened to the Sphinx's nose?

The Sphinx's Nose The nose of the Great Sphinx at Giza is made conspicuous by its absence. What happened to it? The popular story is that the troops of Napoleon Bonaparte used the nose for target practice in 1798. Drawings done for La Description de L'Egypte depict a noseless Sphinx. The Sphinx, 1743. In 1737, British traveler Richard Pococke visited Egypt and made a sketch of the Sphinx that was published six years later. The nose is shown intact, but Pococke likely exercised his poetic license by adding it when it was not there (earlier, in 1579, Johannes Helferich had further taken an artist's liberties by depicting the Sphinx with a nose -- and with decidedly female features). Frederick Lewis Norden, an artist and marine architect, also sketched the Sphinx in 1737. His detailed drawings, published in 1755, were more realistic and showed the Sphinx with no nose. It is very unlikely that Norden would omit the nose if it was present. We can conclude that the...