Skip to main content

The tomb of Kagemni

a)- First register
Here are two similar scenes of bird hunting, using a hexagonal net. The one of left is preserved particularly well
 Both nets have been stretched close to a pool. In each case, beside the poll, stands a solitary palm tree.
When sufficient number of birds are under the net, the man on the right gives the signal and, with his three friends in front of him, they pull violently on the rope, closing the net and trapping the fowl. A few survive, distraught, to escape from the trap

On the right, the second scene shows a very full net. The man situated on the right holds a piece of material between his outstretched arms, a signal perhaps for his hidden friends to pull the rope 


b)- Second register
This is dedicated to a scene of poultry farming.




Three bird cages are represented side by side, surrounded by nets and with a roof sustained by sticks with forked ends  In front of the first lot of poultry stands a character holding a bag of grain on his right shoulder, letting the grain trickle to the ground. This is a typically conventional representation of Egyptian art, because the character wouldn't perform this action outside the cage of course; he would have entered the enclosure by the small door represented at the bottom. But as the artist would have had difficulty representing him inside, he is shown accomplishing his task "outside"



c)- Third register

A large portion of this register is destroyed, but it was dedicated to the force-feeding of geese ( The farmers sitting on the ground prepare pellets which others will forcefully introduce into the gullets of the unhappy birds. This all takes place under a supervisor's unavoidable gaze. Note the various attitudes of the ducks and geese.

d)- Fourth register
Remaining with the actions of force-feeding, this register is very different and a lot more dangerous. In fact it is the force-feeding of animals, in this case hyenas. These animals could never be domesticated, and this is why the Egyptians gave up their exploitation from the end of the Old Kingdom.
However, be that as it may, the scenes represented here are very interesting.



Photomontage of the scenes of force-feeding hyenas


On the left, an single individual forces pieces of poultry into the mouth of a hyena, with its back on the ground, bound by the paws. Further to the right, two men force-feed another animal, one holding it by the tail and the second by a rope around the neck. Next right, two men work around an upturned animal, its rear paws are bound but this is not true for its front paws, which are held by one of the men. Finally, a scribe sits with his back to the last two characters, making notes of everything. This report will be presented to Kagemni by his superior, standing in front of him.

e)- Fifth register
This one is very mutilated, showing some stalls with cattle, and the unavoidable scribe and foreman. Notice that two men work with a single cow, and also that the one doing the milking seems to grasp two different teats at the same time


f)- Sixth register
A drover with his ox and scribes, nothing much remains of them.

Comments

Popular posts from this blog

The bindweeds of Egypt and their symbolic role for the deceased

http://www.egyptraveluxe.com/cairo_half_day_tour_to_cairo_egyptian_museum.php From the Middle Kingdom until the 18th Dynasty, representations are found of a parasitic bindweed associated with the stems of papyrus, . Its representations increase and refine themselves during the Amarnian period because of the naturalistic leaning to nature; but it is in Ramesside times, and more particularly that of Ramesses II, that the images become more beautiful and most detailed. The plant is frequently attached to the stem of the papyrus, or to bouquets, but being also able to, more rarely, exist separately. After the 20th Dynasty, if the theme persists, the quality of the representations decrease (as do all more representations of nature). This success under the Ramesseses is probably linked with the specific beliefs of that time, and notably the eminent place that the solar cults occupy. The nature of the plant has been under debate a long time ...

US authorities return eight stolen ancient Egyptian artifacts

US authorities agreed to return eight ancient Egyptian artifacts stolen and illegally smuggled out of the country. Today, upon his arrival from the United States, Minister of Antiquities Mohamed Ibrahim announced that US authorities agreed to return eight ancient Egyptian artefacts stolen and illegally smuggled out of the country. The objects are to arrive next month. The pieces include the upper part of a painted anthropoid wooden sarcophagus from the Third Intermediate period depicting a face of a woman wea ring a wig decorated with coloured flowers. Two linen mummy wrappings covered with plaster and bearing paintings showing winged amulets pushing the sun disc are also among the artefacts. Hieroglyphic text showing the name and titles of the deceased are also found on the plaster cover. The third piece is a cartonage painted mummy mask from the Third Intermediate period while the fourth and fifth items are Middle Kingdom wooden boats. The other three items are lim...

KV-63 ~ Newly Discovered Tomb

Valley of the Kings Valley of the Kings - Luxor Tomb of Tutankhamun Valley of the Kings - Luxor Valley of the Kings, Egypt KV-63 ~ Newly Discovered Tomb KV-63 is located in the Valley of the Kings approximately 14.5 meters from the south edge of KV-62, the Tomb of Tutankhamun. Dr. Zahi Hawass officially pronounced the newly discovered tomb, KV-63 on 10 Febru ary 2006. However, the initial shaft was discovered a few days before the end of 2005 excavation season. KV-63 is the first tomb to be discovered in the Valley of the Kings since 1922. it is now believed to have been a storage chamber for the mummification process. The chamber contained seven wooden coffins and many large storage jars. All coffins have now been opened, and were found to contain only mummification materials, with the jars also containing mummification supplies including salts, linens, and deliberately broken pottery. Some clay seal impressions contain text, such as the partial word 'pa-aten,' part o...