Skip to main content

Tomb of Mereruka

  










Mereruka accompanied by his wife (at similar height) followed by several registers of scribes and servants . Watetkhethor holds her husband's wrist, both facing north. Together they are receiving fish and birds brought to them by fishermen and fowlers of registers facing them.

This central area of the wall is divided into several registers and is related to the image of Mereruka and his wife. In the lowest two registers, fish are shown in great detail being netted. Above these two registers is one showing the catch being carried towards the deceased. This register has only survived at its lower edge.


 The only indication of fowling is the small surviving part a register at the far upper left of this central area and the partial text placed in front of Mereruka. The fishing scene shows the various methods which the Egyptians practised, from the use of a simple line to the large-scale use of nets and baskets (. The scene also shows a large variety of fish in exquisite detail.




Seated in the boat, at the left-hand side of the next-to-bottom register, is shown Mereruka's brother, "His brother, the land-tenant and elder of the dockyard, Ihy.". He is eating fish and drinking from a cup held by a servant. This image of Ihy is very different from that found on the south wall of chamber A3; here he is very plump .

The smaller section, at the north end of the wall, is again of the deceased followed by his wife (at a smaller scale) facing north . This time he is preceded by and even smaller scale image of his son, Meryteti, who holds a bird in his right hand. Preceding the family group are several sub-registers of servants, one of whom leads a baboon and two dogs.

Comments

Post a Comment

Popular posts from this blog

The bindweeds of Egypt and their symbolic role for the deceased

http://www.egyptraveluxe.com/cairo_half_day_tour_to_cairo_egyptian_museum.php From the Middle Kingdom until the 18th Dynasty, representations are found of a parasitic bindweed associated with the stems of papyrus, . Its representations increase and refine themselves during the Amarnian period because of the naturalistic leaning to nature; but it is in Ramesside times, and more particularly that of Ramesses II, that the images become more beautiful and most detailed. The plant is frequently attached to the stem of the papyrus, or to bouquets, but being also able to, more rarely, exist separately. After the 20th Dynasty, if the theme persists, the quality of the representations decrease (as do all more representations of nature). This success under the Ramesseses is probably linked with the specific beliefs of that time, and notably the eminent place that the solar cults occupy. The nature of the plant has been under debate a long time ...
Post a Comment
Read more

US authorities return eight stolen ancient Egyptian artifacts

US authorities agreed to return eight ancient Egyptian artifacts stolen and illegally smuggled out of the country. Today, upon his arrival from the United States, Minister of Antiquities Mohamed Ibrahim announced that US authorities agreed to return eight ancient Egyptian artefacts stolen and illegally smuggled out of the country. The objects are to arrive next month. The pieces include the upper part of a painted anthropoid wooden sarcophagus from the Third Intermediate period depicting a face of a woman wea ring a wig decorated with coloured flowers. Two linen mummy wrappings covered with plaster and bearing paintings showing winged amulets pushing the sun disc are also among the artefacts. Hieroglyphic text showing the name and titles of the deceased are also found on the plaster cover. The third piece is a cartonage painted mummy mask from the Third Intermediate period while the fourth and fifth items are Middle Kingdom wooden boats. The other three items are lim...
Post a Comment
Read more

what exactly happened to the Sphinx's nose?

The Sphinx's Nose The nose of the Great Sphinx at Giza is made conspicuous by its absence. What happened to it? The popular story is that the troops of Napoleon Bonaparte used the nose for target practice in 1798. Drawings done for La Description de L'Egypte depict a noseless Sphinx. The Sphinx, 1743. In 1737, British traveler Richard Pococke visited Egypt and made a sketch of the Sphinx that was published six years later. The nose is shown intact, but Pococke likely exercised his poetic license by adding it when it was not there (earlier, in 1579, Johannes Helferich had further taken an artist's liberties by depicting the Sphinx with a nose -- and with decidedly female features). Frederick Lewis Norden, an artist and marine architect, also sketched the Sphinx in 1737. His detailed drawings, published in 1755, were more realistic and showed the Sphinx with no nose. It is very unlikely that Norden would omit the nose if it was present. We can conclude that the...
Post a Comment
Read more