Skip to main content

Tomb of Mereruka

Mereruka, standing at the north end facing south, is accompanied by the smaller scale figure of his wife, who stands in front of him with a lotus blossom at her nose. Except for his head being missing, this figure of Mereruka has survived intact. He wears a leopard skin, which hangs over his triangular kilt. He holds his staff of office in his left hand and a sceptre in his right.

The couple are attended by pairs of officials, five and a half registers of which still survive.





In front of Mereruka and his wife (whose title and names have survived), separated from them by a column of text, the wall is subdivided into several registers showing many craftsmen busy in their various crafts . The column of text states : "… for his tomb of the beautiful West, in peace, in peace." (then possibly) "How happy she is in respect of it.". The texts in the registers include the words spoken by the craftsmen or a short description.





The bottom two registers show metal workers . Starting with the upper one, they contain : weighing then smelting of gold ore, the pouring of the molten metal and finally (of what survives) the beating of the gold into foil. The lower of the two registers shows the production of collars and pectorals. The left-hand person of the middle pair states: "This is very beautiful, comrade."; whilst the left-hand one of the couple to their right says : "Hurry up you, make it happen.". In the intermediate, narrower, register which probably represents a shelf, are finished objects including headdresses, pectorals and collars. A similar shelf appears in the upper of the registers containing a variety of vases, some of which are on stands.




Immediately above the metal working registers is the most complete one , showing the hauling on sledges with statues of Mereruka towards his tomb. This register possibly represents a street separating two different workshops.
Above the "street" are the remains of three more registers  :
The lower one shows carpenters at work on a bed and two others are occupied with the construction of a chest and its lid.
The middle one shows the production of various vessels, of different shapes and sizes, which are stored in a sub-register (a storeroom ?) above. The conversation is: (left) "Hurry up, you.", (right) "This nXnm-jar is very beautiful.". Next to the potters, two men construct a scaffolding, of which only half survives. This is made of a forked piece, held upright by three stays, supporting a horizontal beam. The character on the right says: "Press down hard on that pole, (put your) butt on it.".
The upper register, of which only the lower portion remains, has the legs of several characters. From what little remains it is impossible to determine what activity is taking place.





 

Comments

Popular posts from this blog

The bindweeds of Egypt and their symbolic role for the deceased

http://www.egyptraveluxe.com/cairo_half_day_tour_to_cairo_egyptian_museum.php From the Middle Kingdom until the 18th Dynasty, representations are found of a parasitic bindweed associated with the stems of papyrus, . Its representations increase and refine themselves during the Amarnian period because of the naturalistic leaning to nature; but it is in Ramesside times, and more particularly that of Ramesses II, that the images become more beautiful and most detailed. The plant is frequently attached to the stem of the papyrus, or to bouquets, but being also able to, more rarely, exist separately. After the 20th Dynasty, if the theme persists, the quality of the representations decrease (as do all more representations of nature). This success under the Ramesseses is probably linked with the specific beliefs of that time, and notably the eminent place that the solar cults occupy. The nature of the plant has been under debate a long time ...

US authorities return eight stolen ancient Egyptian artifacts

US authorities agreed to return eight ancient Egyptian artifacts stolen and illegally smuggled out of the country. Today, upon his arrival from the United States, Minister of Antiquities Mohamed Ibrahim announced that US authorities agreed to return eight ancient Egyptian artefacts stolen and illegally smuggled out of the country. The objects are to arrive next month. The pieces include the upper part of a painted anthropoid wooden sarcophagus from the Third Intermediate period depicting a face of a woman wea ring a wig decorated with coloured flowers. Two linen mummy wrappings covered with plaster and bearing paintings showing winged amulets pushing the sun disc are also among the artefacts. Hieroglyphic text showing the name and titles of the deceased are also found on the plaster cover. The third piece is a cartonage painted mummy mask from the Third Intermediate period while the fourth and fifth items are Middle Kingdom wooden boats. The other three items are lim...

KV-63 ~ Newly Discovered Tomb

Valley of the Kings Valley of the Kings - Luxor Tomb of Tutankhamun Valley of the Kings - Luxor Valley of the Kings, Egypt KV-63 ~ Newly Discovered Tomb KV-63 is located in the Valley of the Kings approximately 14.5 meters from the south edge of KV-62, the Tomb of Tutankhamun. Dr. Zahi Hawass officially pronounced the newly discovered tomb, KV-63 on 10 Febru ary 2006. However, the initial shaft was discovered a few days before the end of 2005 excavation season. KV-63 is the first tomb to be discovered in the Valley of the Kings since 1922. it is now believed to have been a storage chamber for the mummification process. The chamber contained seven wooden coffins and many large storage jars. All coffins have now been opened, and were found to contain only mummification materials, with the jars also containing mummification supplies including salts, linens, and deliberately broken pottery. Some clay seal impressions contain text, such as the partial word 'pa-aten,' part o...