Skip to main content

The mastaba of Ty at Saqqara

 


The pillars measured about 3.9m in height. At the time of the discovery of the monument they were broken to half of their height, and the lintel which they supported was buried in the sand. 

On each pillar, Ty is represented at the bottom, facing the entry. Above him can be found part of his titles, 


 "the unique friend, Ty". This title appears to be the one to which he attached the greatest value, because it is found almost everywhere.

The two representations are of slightly different in height, the one on the right is a little smaller than the one on the left, but the base ground level has been raised on the right, probably in order to compensate for the difference. The representations and the hieroglyphs are in sunken relief, presumably they were originally coloured.
On both sides, Ty has a naked chest and he wears kilt with a triangular front. His chin is decorated with a short square beard, and he wears a long striped wig which descends behind his shoulders. Around his neck spreads a large necklace. At first sight these appear to be mirror images, the scenes (and the writing) being reversed from one pillar to another. However, on the left-hand pillar, he holds a long staff with his left hand and in his right is a sekhem-sceptre, his emblems of office. On the right-hand pillar these are held in the other hands and strangely, the sceptre, which is now held in his left hand, passes behind him. This, which appears very strange, is actually impossible to achieve.
The hieroglyphs have benefited from a quality of execution, and by enlarging the image it is possible to distinguish the twists of the rope heiroglyph as well as the streaks of the feather glyph



The other faces of the pillars are uninscribed.


egyptraveluxe.com

egyptfemaletourguide.com

egyptlocalguide.com

cairofemaletourguide.com

egyptnilecruises.net

egyptcitytours.com

egyptcitytour.com

cairoprivatetoursonline.com


Comments

Popular posts from this blog

The bindweeds of Egypt and their symbolic role for the deceased

http://www.egyptraveluxe.com/cairo_half_day_tour_to_cairo_egyptian_museum.php From the Middle Kingdom until the 18th Dynasty, representations are found of a parasitic bindweed associated with the stems of papyrus, . Its representations increase and refine themselves during the Amarnian period because of the naturalistic leaning to nature; but it is in Ramesside times, and more particularly that of Ramesses II, that the images become more beautiful and most detailed. The plant is frequently attached to the stem of the papyrus, or to bouquets, but being also able to, more rarely, exist separately. After the 20th Dynasty, if the theme persists, the quality of the representations decrease (as do all more representations of nature). This success under the Ramesseses is probably linked with the specific beliefs of that time, and notably the eminent place that the solar cults occupy. The nature of the plant has been under debate a long time ...

US authorities return eight stolen ancient Egyptian artifacts

US authorities agreed to return eight ancient Egyptian artifacts stolen and illegally smuggled out of the country. Today, upon his arrival from the United States, Minister of Antiquities Mohamed Ibrahim announced that US authorities agreed to return eight ancient Egyptian artefacts stolen and illegally smuggled out of the country. The objects are to arrive next month. The pieces include the upper part of a painted anthropoid wooden sarcophagus from the Third Intermediate period depicting a face of a woman wea ring a wig decorated with coloured flowers. Two linen mummy wrappings covered with plaster and bearing paintings showing winged amulets pushing the sun disc are also among the artefacts. Hieroglyphic text showing the name and titles of the deceased are also found on the plaster cover. The third piece is a cartonage painted mummy mask from the Third Intermediate period while the fourth and fifth items are Middle Kingdom wooden boats. The other three items are lim...

what exactly happened to the Sphinx's nose?

The Sphinx's Nose The nose of the Great Sphinx at Giza is made conspicuous by its absence. What happened to it? The popular story is that the troops of Napoleon Bonaparte used the nose for target practice in 1798. Drawings done for La Description de L'Egypte depict a noseless Sphinx. The Sphinx, 1743. In 1737, British traveler Richard Pococke visited Egypt and made a sketch of the Sphinx that was published six years later. The nose is shown intact, but Pococke likely exercised his poetic license by adding it when it was not there (earlier, in 1579, Johannes Helferich had further taken an artist's liberties by depicting the Sphinx with a nose -- and with decidedly female features). Frederick Lewis Norden, an artist and marine architect, also sketched the Sphinx in 1737. His detailed drawings, published in 1755, were more realistic and showed the Sphinx with no nose. It is very unlikely that Norden would omit the nose if it was present. We can conclude that the...